THE GOD NJEMA

THE KISWAHILI-BANTU RESEARCH UNIT

FOR THE ADVANCEMENT OF THE ANCIENT

EGYPTIAN LANGUAGE

NICE, SWEET, PLEASING, GOOD

 

Researched by FERG SOMO © August 27th 2008

 

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  Faulkner144, Budge 411b, Gardiner 577

Ancient Egyptian: ntchm

NJEMA

 

The Kiswahili-Bantu word Njema is derived from ema or jema and defines goodness of all kinds and degrees, whatever commends itself to feeling, taste, reason, or conscience and translatable in a variety of ways, hence pleasant, beautiful, sensible, right, good, nice etc.

 

The word Njema is an agglutination of:

 

     NI             +            JEMA →  NJEMA

 

[it is]                 [goodness of all kinds]

 

 

THE GOD NJEMA

 Budge 412a

 

Ancient Egyptian: ntch, ndjm a god

 

The quality of the meanings of the word caught the imagination of the Ancient Egyptians to such an extent that they personalised a God and named him NJEMA, a word derived from the Kiswahili-Bantu adjective NJEMA. Please note that the sound DJ = TCH = J in Kiswahili-Bantu.

 

 

 Substantiating the investigation further, the block statue of NJEMA ‘the sweet one’ may be seen below. Picture acquired and quoted by the University Of Memphis Institute Of Egyptian Art and Archaeology.

 

Block Statue of Nedjem

Date: New Kingdom, Dynasty XIX, reign of Ramesses II (c. 1279-1213 B.C.E.)

Material: Quartzite

Provenance: Memphis

Nedjem (“sweet one”) sits on a cushion, his body covered with a robe, his knees bent so that they are almost level with his chin, his feet flat on the ground, and his arms crossed over his knees. The outline of his figure suggests a block, hence the term, “block statue.” He has a small beard, full wig, and sandals. Between his legs is a smaller figure, which represents the god Ptah-Tatenen, a form of the Memphite god, Ptah, who was believed to be not only the creator god but also the land from which all was created. Ptah-Tatenen wears, on top of his wig, a crown composed of two feathers and a sun disk. He is wrapped as a mummy and holds a sceptre. The hieroglyphic inscription in sunk relief on Nedjem’s back pillar tells us that he was the “King’s Scribe, Great Steward, King’s Messenger to every foreign land, and Overseer of the Granaries of the Western Border.”

The statue was placed in the Temple of Ptah in ancient Memphis to represent Nedjem for eternity. There is much evidence that lets us know that Nedjem is from Memphis. First, and most important, an Egyptologist found records of an excavation in ancient Memphis which took place about 1840. The discovery of this statue of Nedjem is recorded in this report. Also, the quartzite of Nedjem’s statue is a stone found particularly in the Memphis area.

During the American Civil War, a Yankee sea captain trading in the Mediterranean docked at Alexandria, Egypt, with a half-empty ship. He bought the statue of Nedjem, along with some others, to serve as ballast. As the ship neared the American coast, it was captured by Confederate forces and escorted to New Orleans, where its cargo, including Nedjem, was taken to the Customs House. After the war, the statue was taken to Boston, where it stayed in a garden for years. Eventually, it entered the collection of the Museum of Fine Arts, Boston. In 1975, it was sold to The University of Memphis, together with 43 other Egyptian antiquities. Today, these artefacts form the core of the permanent collection of the Institute of Egyptian Art and Archaeology.

http://www.memphis.edu/egypt/artifact.html

 

Researched by FERG SOMO © August 27th 2008

 

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